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<channel>
	<title>Write Mind</title>
	<link>http://patmillerbooks.com/blog</link>
	<description>pat miller's meeting place for writers, librarians, and lovers of books</description>
	<pubDate>Tue, 18 Mar 2008 15:30:58 +0000</pubDate>
	<generator>http://wordpress.org/?v=2.0.2</generator>
	<language>en</language>
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		<title>Chapter 6: Fixing those -ings</title>
		<link>http://patmillerbooks.com/blog/chapter-6-fixing-those-ings.htm</link>
		<comments>http://patmillerbooks.com/blog/chapter-6-fixing-those-ings.htm#comments</comments>
		<pubDate>Tue, 18 Mar 2008 15:29:33 +0000</pubDate>
		<dc:creator>Pat</dc:creator>
		
	<category>Write Mind Blog</category>
	<category>Writing Tools Book Study</category>
		<guid isPermaLink="false">http://patmillerbooks.com/blog/chapter-6-fixing-those-ings.htm</guid>
		<description><![CDATA[Roy Clark was talking to all writers in Writing Tools when he mentioned the problems with too many -ings, so I don&#8217;t think he had a personal agenda specifically for us Southern writers. It seems to be part of our speech pattern to include lots of -ings, even in our professional news casts. Last night [...]]]></description>
			<content:encoded><![CDATA[<p>Roy Clark was talking to all writers in <em>Writing Tools </em>when he mentioned the problems with too many -ings, so I don&#8217;t think he had a personal agenda specifically for us Southern writers. It seems to be part of our speech pattern to include lots of -ings, even in our professional news casts. Last night I heard a broadcaster mention a woman who was going missing for several days. A double -ing! I&#8217;ve heard my Southern neighbors tell me what they are &#8220;fixing&#8221; to do, and our conversations (now that Clark has me really listening) are bristling with -ings. The previous sentence is a fine example of that habit.</p>
<p>I agree with Clark that those kinds of endings, whether on verbs, adjectives or gerunds, should be there from choice and not from thoughtless construction. Now that I&#8217;m alert to the pros and cons of these forms, I can choose to use them for effect, making my writing stronger intentionally and including -ings with care as I did three times in this conclusion.
</p>
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		<title>Chapter 5: Watch Those Adverbs</title>
		<link>http://patmillerbooks.com/blog/chapter-5-watch-those-adverbs.htm</link>
		<comments>http://patmillerbooks.com/blog/chapter-5-watch-those-adverbs.htm#comments</comments>
		<pubDate>Sat, 08 Mar 2008 03:16:33 +0000</pubDate>
		<dc:creator>Pat</dc:creator>
		
	<category>Write Mind Blog</category>
	<category>Writing Tools Book Study</category>
		<guid isPermaLink="false">http://patmillerbooks.com/blog/chapter-5-watch-those-adverbs.htm</guid>
		<description><![CDATA[In this chapter, Roy Clark, the author of Writing Tools, uses the last word in the last sentence in the last paragraph to make his point. This is the word position that he argues is the most powerful in a piece. In this essay about adverbs, Clark ends with &#8220;&#8230;use them sparingly&#8221; and cleanly makes his point.
For the [...]]]></description>
			<content:encoded><![CDATA[<p>In this chapter, Roy Clark, the author of <em>Writing Tools,</em> uses the last word in the last sentence in the last paragraph to make his point. This is the word position that he argues is the most powerful in a piece. In this essay about adverbs, Clark ends with &#8220;&#8230;use them sparingly&#8221; and cleanly makes his point.</p>
<p>For the first exercise, I searched both of my local papers looking for adverbs. I gained a new respect for the quality of their proofreader and/or editor. In one paper I didn&#8217;t find any adverbs. In the second, the only article that had adverbs in it was one in the &#8220;Community News&#8221; section.</p>
<p>The article is about an upscale new subdivision going up near Highway 99 that will break ground for its new polo club. (Polo club?!) Because it contains several weak adverb connections, it would appear that the article might be written by a publicist for the Polo Club or the developer rather than a trained journalist. Here are several redundant or cliche adverbs that make the sentences tighter when removed:</p>
<p>the polo field is <em>specially </em>designed; something <em>truly </em>remarkable,<em> lushly</em> landscaped</p>
<p>Another makes the sentence an arguable: &#8220;community will offer residents an incomparable location, <em>conveniently</em> situated between Shadow Hawk Golf Club and the Houstonian Golf Club. (And if I don&#8217;t golf?)</p>
<p>I&#8217;m currently reading a book where I was so distracted by the number of times the main character &#8220;replied mildly&#8221; to his wife that I threw the book down in frustration. The author thinks that characterization can be achieved by the adverb that follows his or her conversation tag. The king&#8217;s advisor replies shrewdly, the corrupt monarch answers carelessly or cruelly, etc. If the setting weren&#8217;t so interesting and the time period so well drawn, I would have stopped reading this book 100 pages ago!</p>
<p>I find it interesting that Clark distinguishes when a carefully justaposed adverb can heighten the verb, as in &#8220;killing me softly&#8221;. So far, each chapter makes me feel more empowered to craft my writing.</p>
<p>As Kimberly Holt said at our recent conference, the writer takes her first draft and &#8220;whittles, whittles, whittles&#8221;. I take that to mean not only trimming away excess, like useless adverbs, but also sharply defining details, as in choosing the powerful nouns and verbs, and locating them in the sentence in a way to heighten action or show who&#8217;s being acted upon.</p>
<p> </p>
<p> </p>
<p> 
</p>
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		<title>Chapter 3 and 4: Be active in your verb choice</title>
		<link>http://patmillerbooks.com/blog/chapter-3-and-4-be-active-in-your-verb-choice.htm</link>
		<comments>http://patmillerbooks.com/blog/chapter-3-and-4-be-active-in-your-verb-choice.htm#comments</comments>
		<pubDate>Mon, 03 Mar 2008 03:02:21 +0000</pubDate>
		<dc:creator>Pat</dc:creator>
		
	<category>Write Mind Blog</category>
	<category>Writing Tools Book Study</category>
		<guid isPermaLink="false">http://patmillerbooks.com/blog/chapter-3-and-4-be-active-in-your-verb-choice.htm</guid>
		<description><![CDATA[Chapter 3 - Active verbs power the narrative, describe internal thought in an immediate way, and add energy to your writing. I examined an article I wrote to persuade school librarians to make their libraries more boy-friendly. In a single paragraph, I counted 14 active verbs and 2 passive verbs. All those pushy verbs were [...]]]></description>
			<content:encoded><![CDATA[<p><font size="3">Chapter 3 - Active verbs power the narrative, describe internal thought in an immediate way, and add energy to your writing. I examined an article I wrote to persuade school librarians to make their libraries more boy-friendly. In a single paragraph, I counted 14 active verbs and 2 passive verbs. All those pushy verbs were intended to make the reader itchy and empowered to make some changes in their own libraries.</font><font size="3"> </font></p>
<p><font size="3">Chapter 4 gave me new information about the advantages of choosing passive verbs. I’d not considered they could be perfect choices when I wanted to show the subject as the receiver of the action. “The best writers make the best choices between active and passive.”<br />
</font><font size="3">Exercise 1 asks us to read Orwell’s (author of <em>Animal Farm</em>), “Politics and the English Language” which he wrote in 1946. Find it at <a href="http://www.orwell.ru/library/essays/politics/english/e_polit">www.orwell.ru/library/essays/politics/english/e_polit</a></font></p>
<p><font size="3">Here’s a quote from the end of the article that is very helpful:<br />
</font><span lang="EN"><font size="3">Probably it is better to put off using words as long as possible and get one&#8217;s meaning as clear as one can through pictures and sensations. Afterward one can choose — not simply <em>accept</em> — the phrases that will best cover the meaning, and then switch round and decide what impressions one&#8217;s words are likely to make on another person. This last effort of the mind cuts out all stale or mixed images, all prefabricated phrases, needless repetitions, and humbug and vagueness generally. But one can often be in doubt about the effect of a word or a phrase, and one needs rules that one can rely on when instinct fails. I think the following rules will cover most cases:</font></span></p>
<ol type="1">
<li><span lang="EN"><font size="3">Never use a metaphor, simile, or other figure of speech which you are used to seeing in print.<br />
</font></span></li>
<li><span lang="EN"><font size="3">Never use a long word where a short one will do.<br />
</font></span></li>
<li><span lang="EN"><font size="3">If it is possible to cut a word out, always cut it out.<br />
</font></span></li>
<li><span lang="EN"><font size="3">Never use the passive where you can use the active.<br />
</font></span></li>
<li><span lang="EN"><font size="3">Never use a foreign phrase, a scientific word, or a jargon word if you can think of an everyday English equivalent.<br />
</font></span></li>
<li><span lang="EN"><font size="3">Break any of these rules sooner than say anything outright barbarous.</font></span></li>
</ol>
<p><span lang="EN"><font size="3">I didn’t have to go far to find examples of what Orwell laments in his essay. Here are a few:</font></span><span lang="EN"><font size="3"> </font></span></p>
<p><span lang="EN" /><span lang="EN" /><span lang="EN"><font size="3">DYING METAPHORS Orwell talks about the sloppy mixing or misquoting of hackneyed metaphors. On <em>60 Minutes</em> tonight, one of the speakers said, “He was going to hell in a handbag.” The mental image, a misquote of “in a handbasket”, made me laugh. Imagine a person squeezing into a handbag—even if he weren’t headed for hell!</font></span><span lang="EN"><font size="3"> </font></span></p>
<p><font size="3"><span lang="EN">VERBAL FALSE LIMBS</span><span lang="EN"> “The range of verbs is further cut down by means of the <em>-ize</em> and <em>de-</em> formations” I was reading an article by an associate professor of library and information science at Rutgers University. She seemed very well spoken and intelligent, but I mentally tripped over this paragraph lead: “The generalizability of this research is in its cumulative effect.”</span></font><span lang="EN"><font size="3"> </font></span></p>
<p><span lang="EN" /><span lang="EN" /><span lang="EN"><font size="3">PRETENTIOUS DICTION and MEANINGLESS WORDS These seem to be the requirements of most articles that I find in the journals of my profession—and probably of yours. They appear to be English, but are as indecipherable as the parody of <em>Ecclesiastes </em>that Orwell created for example. Unfortunately, Orwell’s points about how the English language “is in a bad way” is just as true 60 years later.</font></span>
</p>
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		<title>Chapter 2: Put your strength at the beginning and the end</title>
		<link>http://patmillerbooks.com/blog/chapter-2-put-your-strength-at-the-beginning-and-the-end.htm</link>
		<comments>http://patmillerbooks.com/blog/chapter-2-put-your-strength-at-the-beginning-and-the-end.htm#comments</comments>
		<pubDate>Thu, 28 Feb 2008 03:42:42 +0000</pubDate>
		<dc:creator>Pat</dc:creator>
		
	<category>Write Mind Blog</category>
	<category>Writing Tools Book Study</category>
		<guid isPermaLink="false">http://patmillerbooks.com/blog/chapter-2-put-your-strength-at-the-beginning-and-the-end.htm</guid>
		<description><![CDATA[At first I found this tool contradictory after the first chapter that preached starting with strong verbs and nouns and branching the weaker to the right. This next chapter talks about putting your strongest words at the end of the sentence, then at the beginning, and hide your weaker stuff in the middle. (My thought&#8211;what&#8217;s weak [...]]]></description>
			<content:encoded><![CDATA[<p>At first I found this tool contradictory after the first chapter that preached starting with strong verbs and nouns and branching the weaker to the right. This next chapter talks about putting your strongest words at the end of the sentence, then at the beginning, and hide your weaker stuff in the middle. (My thought&#8211;what&#8217;s weak stuff doing in there anyway?)</p>
<p>Perhaps this is like the way you learn to dance. You learn a basic two step, then you add a glide. I&#8217;m learning that we have a real power when we pick up a pen. Power to craft in the same way an artisan does&#8211;but we shape and carve with words chosen not only for power to create pictures, but also for power of place in the sentence.</p>
<p>In analyzing Lincoln&#8217;s speech, words like nation, equal, endure, live, earth were at the end of sentences&#8211;almost a summary of the speech. In checking out Dr. King&#8217;s speech, I was surprised first at the length of the speech&#8211;I&#8217;ve always heard just the part where every sentence begins with &#8220;I have a dream&#8221;. Analysis showed there were also key words in the end place in a number of sentences.</p>
<p>I also analyzed an essay I like on how school libraries have to reinvent themselves to keep up with the technology changes. The writer&#8217;s points made an impression on me because of his thoughtful ideas which he expressed with power position words, interesting word choices and varied sentence length. He and Lincoln are similar in the way they distilled their thoughts into powerful lines that didn&#8217;t depend just on word placement, but also word choice and even the rhythm and alliteration in the sentences. Lincoln&#8217;s words are long remembered for their content, and for the beauty and power of their composition.</p>
<p> What did you discover?
</p>
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		<title>You&#8217;ve Come to the Write Place</title>
		<link>http://patmillerbooks.com/blog/youve-come-to-the-write-place-2.htm</link>
		<comments>http://patmillerbooks.com/blog/youve-come-to-the-write-place-2.htm#comments</comments>
		<pubDate>Tue, 26 Feb 2008 03:52:18 +0000</pubDate>
		<dc:creator>Pat</dc:creator>
		
	<category>Write Mind Blog</category>
	<category>Writing Tools Book Study</category>
		<guid isPermaLink="false">http://patmillerbooks.com/blog/youve-come-to-the-write-place-2.htm</guid>
		<description><![CDATA[Yes, we are having a book study of the Writing Tools book. We are on chapter 2 and you are invited to publish your take on the chapter and your response in the writing exercises. I have been secluded, pressing to finish the eighth book in my professional series. Five hours a day after a [...]]]></description>
			<content:encoded><![CDATA[<p>Yes, we are having a book study of the Writing Tools book. We are on chapter 2 and you are invited to publish your take on the chapter and your response in the writing exercises. I have been secluded, pressing to finish the eighth book in my professional series. Five hours a day after a full day at school nearly did me in&#8211;and left no time to complete my Friday work. But the book was submitted Sunday, my husband and I celebrated tonight at a nice restaurant, and I&#8217;ll be back to the Writing Tools tomorrow.</p>
<p> Post your comments to this entry if you are ahead of me on this assignment.
</p>
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		<title>Get Ready, Get Set&#8230;</title>
		<link>http://patmillerbooks.com/blog/get-ready-get-set.htm</link>
		<comments>http://patmillerbooks.com/blog/get-ready-get-set.htm#comments</comments>
		<pubDate>Sun, 10 Feb 2008 04:25:47 +0000</pubDate>
		<dc:creator>Pat</dc:creator>
		
	<category>Write Mind Blog</category>
	<category>Writing Tools Book Study</category>
		<guid isPermaLink="false">http://patmillerbooks.com/blog/get-ready-get-set.htm</guid>
		<description><![CDATA[Beginning on February 15, members of the Society of Children&#8217;s Book Writers and Illustrators-Houston will join me in a book study. We plan to use Writing Tools: 50 Essential Strategies for Every Writer (Roy Clark, Little Brown, 2006). Each of the 50 short chapters ends with some brief writing exercises. To keep our individual resolutions to [...]]]></description>
			<content:encoded><![CDATA[<p><span style="font-size: 11pt; font-family: Arial">Beginning on February 15, members of the Society of Children&#8217;s Book Writers and Illustrators-Houston will join me in a book study. We plan to use <em><span style="font-family: Arial">Writing Tools: 50 Essential Strategies for Every Writer </span></em>(Roy Clark, Little Brown, 2006). Each of the 50 short chapters ends with some brief writing exercises. To keep our individual resolutions to write weekly and produce a quality piece to submit for publication, we will be using this book to develop and perfect our craft. </span><span style="font-family: Arial"> </span><span style="font-family: Arial" /><span style="font-size: 11pt; font-family: Arial"><span style="font-size: 11pt; font-family: Arial" /></span></p>
<p><span style="font-size: 11pt; font-family: Arial">Clark</span><span style="font-size: 11pt; font-family: Arial"> starts with the basics&#8211;nouns and verbs&#8211;and takes the reader/writer surely through the process. He illustrates his points with excerpts of the best in writing so you will also come away with a broad view of how a number of writers do it. </span><span style="font-size: 11pt; font-family: Arial"><span style="font-size: 11pt; font-family: Arial" /></span><span style="font-size: 11pt; font-family: Arial" /><span style="font-size: 11pt; font-family: Arial">The group was started to provide a service to all our members, particularly those who live too far to attend the monthly meetings. You don’t have to be a member of SCBWI-Houston to participate, but you do have to read the book and do the exercises as often as your writer’s discipline will let you. </span><span style="font-size: 11pt; font-family: Arial"><span style="font-size: 11pt; font-family: Arial" /></span></p>
<p><span style="font-size: 11pt; font-family: Arial">The book is available at local bookstores and Amazon.com. Next Friday we will begin by sharing our thoughts on the first chapter and the writing exercise that follows. This is not a critique group—we won’t be reading what you wrote, but rather your thoughts on what you wrote and what you discovered. </span><span style="font-size: 11pt; font-family: Arial"><span style="font-size: 11pt; font-family: Arial" /></span><span style="font-size: 11pt; font-family: Arial"> </span><span style="font-size: 11pt; font-family: Arial">Our goal—to figure out how to write better and to write more often. Here’s to our best year ever! </span><span style="font-size: 11pt; font-family: Arial" /><span style="font-size: 11pt; font-family: Arial"> </span><span style="font-size: 11pt; font-family: Arial" /><span style="font-size: 11pt; font-family: Arial"> </p>
<p></span> 
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		<title>Medicinal Chocolate</title>
		<link>http://patmillerbooks.com/blog/medicinal-chocolate.htm</link>
		<comments>http://patmillerbooks.com/blog/medicinal-chocolate.htm#comments</comments>
		<pubDate>Wed, 04 Jul 2007 03:29:44 +0000</pubDate>
		<dc:creator>Pat</dc:creator>
		
	<category>Write Mind Blog</category>
	<category>Inspiration for Writers</category>
		<guid isPermaLink="false">http://patmillerbooks.com/blog/medicinal-chocolate.htm</guid>
		<description><![CDATA[   Rejection slips from publishers are a red badge of courage. Writers can often tell you how exactly how many each project has garnered in the same way daredevils know how many stitches each event cost them. Behind the numbers, for both groups, is a lot of pain. But they are as integral to the life of both as [...]]]></description>
			<content:encoded><![CDATA[<p>   Rejection slips from publishers are a red badge of courage. Writers can often tell you how exactly how many each project has garnered in the same way daredevils know how many stitches each event cost them. Behind the numbers, for both groups, is a lot of pain. But they are as integral to the life of both as their respective needs to keep writing or ski jumping from small planes.</p>
<p>   Recently a close friend had a lovely manuscript rejected with a note of only 11 words. She gave me the news in eight fewer: &#8220;I am sad.&#8221; For a sunny optimist, this was a sorrowful cry.</p>
<p>   Here is my reply to her and to other writers suffering from rejection letters. </p>
<p>   Here&#8217;s my recommendation. Have a small party for yourself. Serve chocolate and wine. Invite yourself and all the voices in your head. Feel sad and sorry for 10 minutes. Eat all the chocolate. Consume the wine moderately.</p>
<p>   When the 10 minutes are up (use a timer if you must), spend the next 10 minutes brainstorming your next book idea. Eat more chocolate. You mustn&#8217;t think that because your work isn&#8217;t right for X, it isn&#8217;t right. Put it away and revisit later with a fresh eye and a red pen. </p>
<p><font size="2">Writers have more than one book in them. Here&#8217;s something I read just today from Heather Sellers, author and college writing instructor:</font></p>
<p><font size="2">&#8220;… successful writers, those who go on to become published writers, write books,<em> </em>plural. Because some of these books never see the light of day<em>.</em> </font></p>
<p><font size="2">&#8220;Here’s the Super Secret. The book writer’s clubhouse password, what you have to be able to say to get in the room: <em>There are book manuscripts under my bed.</em> </font><font size="2">In order to write a truly great book, a publishable book, you write the training books, the “starter” books. Then, you bury the bodies. </font></p>
<p><font size="2">&#8220;Can you skip the books-under-the-bed part? Can you learn to write books in another way? </font><font size="2">Sure. But you’re still likely to accumulate a few under-the-bed books at some point in your writing life, and that’s okay. It’s normal. All writers do this.” (<em>Chapter After Chapter, </em>Writer&#8217;s Digest Books, 2007, p. 25)</font><font size="2"> </font></p>
<p><font size="2">Congratulations to all who have received a &#8220;no thank you&#8221; letter from a publisher. Here’s to the next submission!<br />
</font><font size="2"> </font></p>
<p><font size="2" /><font size="2"><font size="2" /></font><font size="2"> </p>
<p> </p>
<p> </p>
<p> </p>
<p></font>
</p>
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		<title>Happy St. Patrick&#8217;s Day to you!</title>
		<link>http://patmillerbooks.com/blog/happy-st-patricks-day-to-you.htm</link>
		<comments>http://patmillerbooks.com/blog/happy-st-patricks-day-to-you.htm#comments</comments>
		<pubDate>Sat, 17 Mar 2007 17:03:00 +0000</pubDate>
		<dc:creator>Pat</dc:creator>
		
	<category>Write Mind Blog</category>
	<category>Not Library Stuff</category>
		<guid isPermaLink="false">http://patmillerbooks.com/blog/happy-st-patricks-day-to-you.htm</guid>
		<description><![CDATA[   When we lived in Ohio and I attended a Catholic school with many other Irish-Americans, March 17 was a great celebration with parades and parties. Now I live in Gulf coast Texas, and the day is less celebrated.
   However, it seems Nature is having a private celebration this morning, with a temperature of 70, bright blue skies, [...]]]></description>
			<content:encoded><![CDATA[<p>   When we lived in Ohio and I attended a Catholic school with many other Irish-Americans, March 17 was a great celebration with parades and parties. Now I live in Gulf coast Texas, and the day is less celebrated.</p>
<p>   However, it seems Nature is having a private celebration this morning, with a temperature of 70, bright blue skies, and Irish green ornamenting every tree and shrub. The flowering azalea bushes bloom in the yards like miniature floats. Purple and white petals from the pear and redbud trees are scattered on the pavement like parade confetti. In honor of the day, I tied shamrock neckerchiefs around my dogs&#8217; collars and we walked out into the spring morning&#8211;a parade of three.   
</p>
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		<title>The bar&#8217;s been raised</title>
		<link>http://patmillerbooks.com/blog/the-bars-been-raised.htm</link>
		<comments>http://patmillerbooks.com/blog/the-bars-been-raised.htm#comments</comments>
		<pubDate>Sun, 05 Nov 2006 22:48:29 +0000</pubDate>
		<dc:creator>Pat</dc:creator>
		
	<category>Write Mind Blog</category>
	<category>Library World</category>
		<guid isPermaLink="false">http://patmillerbooks.com/blog/the-bars-been-raised.htm</guid>
		<description><![CDATA[I was a guest speaker at the Tennessee Association of School Librarians this past Friday and Saturday and now I&#8217;m ruined.
Ruined because this will be the conference that I measure all others against. Partly because it was held in lovely Chattanooga with enchanting fall colors I don&#8217;t see in Houston. Partly because it was the conference [...]]]></description>
			<content:encoded><![CDATA[<p>I was a guest speaker at the Tennessee Association of School Librarians this past Friday and Saturday and now I&#8217;m ruined.</p>
<p>Ruined because this will be the conference that I measure all others against. Partly because it was held in lovely Chattanooga with enchanting fall colors I don&#8217;t see in Houston. Partly because it was the conference debut of my first children&#8217;s book, <em>Substitute Groundhog, </em>and it sold out.</p>
<p>But mostly because I was treated even better than royalty&#8211;I was treated like family. I was picked up by Deborah Neighbors at the airport. She has a neon smile and came with cold water, trail mix, and a bag of assorted bakery cookies. Nancy Dickinson, programming chair, made sure I had lunch and checked in with me often. In fact, someone was always looking out for me. A trio of librarians took me to their room for Chinese food; a librarian dragged an easy chair into a full session so I could sit;  a blacksmith made me a unique gift from a Chattanooga Railroad spike. Even the many who visited with me after my sessions and during autographing were unfailingly kind.</p>
<p>There was reserved seating at the front tables for meals, piles of my books at the ready, all needed equipment set up and working, handouts crisp and waiting. The visit was absolutely perfect. Yes, TASL in Tennessee has ruined me. And I&#8217;ll be forever grateful.
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		<title>So Many Books, So Little Time</title>
		<link>http://patmillerbooks.com/blog/so-many-books-so-little-time.htm</link>
		<comments>http://patmillerbooks.com/blog/so-many-books-so-little-time.htm#comments</comments>
		<pubDate>Wed, 01 Nov 2006 22:03:01 +0000</pubDate>
		<dc:creator>Pat</dc:creator>
		
	<category>Write Mind Blog</category>
		<guid isPermaLink="false">http://patmillerbooks.com/blog/so-many-books-so-little-time.htm</guid>
		<description><![CDATA[A few days ago, I spent a beautiful Saturday indoors sitting in the hard chairs of a 25-year old middle school auditorium, learning about What&#8217;s New in Children&#8217;s Literature from Dr. Peggy Sharp. Peg is the consummate professional speaker, delivering the entire workshop, (which she already seems to have memorized), without an &#8220;um&#8221; or a [...]]]></description>
			<content:encoded><![CDATA[<p>A few days ago, I spent a beautiful Saturday indoors sitting in the hard chairs of a 25-year old middle school auditorium, learning about <em>What&#8217;s New in Children&#8217;s Literature</em> from Dr. Peggy Sharp. Peg is the consummate professional speaker, delivering the entire workshop, (which she already seems to have memorized), without an &#8220;um&#8221; or a snafu with her huge pile of transparencies. She led us through her 152 page handout, touching on a title here and a title there. SO MANY GOOD BOOKS! I already have close to 500 of the 2006 titles upstairs in my writing room, and it was interesting for me to see what she left out as well as what was included.</p>
<p> I&#8217;m reading the front of <em>Books Kids Will Sit Still For 3, </em>by Judy Freeman. The book is weighty with its 916 pages and terrific titles and book connections. Judy has a breezy but incisive writing style, and has recommendations for more than 1700 books! Her house must be edged with book cases the way a bird lines its nest with feathers. In fact, Judy would probably agree with the quote that Peggy headed her handout with:</p>
<p>&#8220;I would be most content if my children grew up to be the kind of people who think decorating consists mostly of building enough bookshelves.&#8221; Anna Quindlen, author
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